藝術也愛Pop-up‘關系の美學’快閃展

  • 2018.09.01-2018.09.20
  • 翼樹空間
  1. 早鳥普通票: 20元
  2. 早鳥雙人票: 29元
  3. 早鳥三人票: 39元

(學生票憑學生證現場購票正價6折購買/120cm以下兒童 、殘疾人士及80歲以上老人免費入場)

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展覽詳情


 

你好?您好!

   Hello?Bonjour!

 

朋友關系從打招呼開始,可是關系開始後會像打招呼這樣簡單嗎? 

那麼這次翼樹空間舉辦的‘關系の美學’快閃展可能會給您這個答案。

 

Relations can be started with a ‘hi’,then can it be simple as ‘hi ’after the relation started? 

Maybe you can find the answer in Artree’s Relational Aesthetics’ Pop-up Exhibition.

 

 

 
 
 

展覽:‘關系の美學’快閃展

Exhibition:Relational Aesthetics’ Pop-up Exhibition

展覽時間 Date:2018.09.01-2018.09.25

展覽地點 Location:翼樹空間 Artree Space

策展人:祝偉,邵嘉君

Curator: Zhu Wei / Shao Jiajun

 
 
 


如果您還沒有體驗過,請在今秋九月的前三周到翼樹空間來盡情享受現代藝術家們為您帶來的全新視覺體驗。

 

If you haven’t experienced before, then you should not miss the ‘Relational Aesthetics’ exhibition this autumn in Artree Space.


翠生生 安全感超市(Security Supermarket)

此次展覽将圍繞人與人關系中更深層的潛意識進行藝術探索。在人與人相處的内心探索,若是出了問題,我們能找到精神的解藥嗎?

 

The exhibition aims to explore the relationship between people in subconsciousness level. We may ask ourselves, is there any way thatwe can find our mental antidote?




王楫 Greedy(貪婪)


十位參展的當代藝術家通過烏托邦式的想象,向我們訴說他們對關系的理解。

究竟是我們通過關系美學,去觸碰最深處的自己;還是通過自己,去處理每一種關系?

 

Ten artists narrate their understanding of relationship to us by the imagination of Utopia. How do we deal with the relationship? By using the relational aesthetics to touch the deepest ‘ego’ or dealing every thread in relations by ourselves?


潘安凡 朋友圈(Group of Friends)

 

朋友圈朋友間關系錯綜錯雜,朋友的朋友可能就是你二表哥的朋友。

朋友圈中過去,現在和未來不斷更新的狀态,也是一種關系的變化狀态。

藝術家潘安凡用手繪朋友圈和實時更新的朋友圈,将展廳與外界建立聯系。屢不清的關系和不斷更新的朋友關系,可能就是就是朋友圈中現實的關系狀态。

 

 

Friends’ friends can be your old friend. The updating of friends reflects the variety in our relationships. Pan Anfan tries to useher work with the live status of the friends to link the exhibition with the outside world. We might never solve the puzzle of the updating relations.


不勿醬 他們對愛緘口不語(They Keep Silent to Love)

 

初次相遇的怦然心動,興奮、悸動、猶豫和猜疑等複雜情緒交錯在一起,這時的我們,在愛情将要降臨時總是緘口不語。

 

 

The romantic encounter always come with excitement, flutter, hesitation and suspicion. The moment love comes, we always keep silent.



伊可 澳門百味圖第二日 議事廳前地(Portrait of Macao’s Flavors · 2nd Day Largo do Senado

 

飯桌上的人際交往文化在東方源遠流長,味道在中國文化中可以說是很重要的存在。藝術家們就以味道為線索在澳門街頭一連三天采集記錄澳門獨特的味道信息。圖中澳門百味圖第二日,就是第二天行程拍攝的現場藝術照片。

 

 

  There’s a long history of table interaction in the eastern world. ‘Eat’ is quite important and it even can be a way to build up relationships. Artists explored the idea of taste from different perspectives,they ventured deep into the streets and lanes of Macau collecting and recording relevant information in three days.

 李季 竈王(Kitchen God)

兒時最齊全的味道可謂在大年三十最為豐盛,而提起年三十的廚房,竈王畫的形象也就不得不提。本次快閃展藝術家利用現代波普的視覺元素,用多媒體影像重新向我們闡釋了竈王的形象。

 

When we mention the ‘flavor’ in food, we have to saythe ‘Kitchen God’s image is popular during the spring festival in China. Li Ji using the element of modern pop art draws a new Kitchen God figure for us.



沈超蕾 Chaos(混亂)& 顧奔馳 構造學(Tectonics)

 

作品‘Chaos’以無形到有形,線條化的圖像如同書法筆觸,但又像是圖形化的繪畫,介入無序和有序之間。與雜亂全然不同的作品‘構造學’,藝術家利用線條結構在理性精确的編織下,讓我們看到平衡關系狀态下的美。

 

The ‘Chaos’ lines’ running like calligraphy, it describes the order and disorder. The‘Tectonics’is completely opposite to the ‘Chaos’,  the precise line structures the beauty in balance.

 


 

潘越 暗湧(Undercurrent)
 

書籍是情感的宣洩口,而藝術家在通過作家們書籍中情感的感染下、作品呈現出的可不就是藝術家心中那書中的世界嗎?

 

 

Books can be the reflection of the author, and Pan Yue found her own emotion in it and reflected on her paintings.

朱辰雯 如夢之夢(A Dream Like Dream)

藝術家一系列與夢相關的攝影作品,試圖探索潛意識與現實、隐秘與袒露、觀看與想象、過去與現在、分離與歡聚的悖論關系。

 

Zhu Chenwen tried to use a series of photos which related to dream to discover the relations between subconsciousness and reality, secret and open minded, observationand imagination, past and now, separation and union.

 

 

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本次參展的藝術家有:不勿醬、翠生生、顧奔馳、李季、潘凡、潘越、沈超蕾、王楫、伊可、朱辰雯等。更多作品詳情,請見展覽。

 

Artists: Bu Wujiang/ Cui Shengsheng/ Gu Benchi/ Li Ji/ Pan Fan/ Pan Yue/ Shen Chaolei/ Wang Ji/ YIKE/ Zhu Chenwen

 

There’s more splendid works will display during the exhibition.


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